November 7, 2009|
A friend of mine went to see Chicago at the Whitney recently,
and reports the unfortunate experience of a man sitting nearby loudly
chewing ice throughout Act Two. Chewing ice. (Audience members
were permitted to bring drinks obtained during intermission into the
show.) It amazes me that it never crossed this man's mind that
maybe no one else wanted to hear that grinding crunching sound. More
likely, it did and he just didn't care.
Giving a lesson in theatre etiquette in this short-attention-span 21st
century is probably a pointless task, in the spirit of the old adage,
"Never try to teach a pig to sing - it only wastes your time and
annoys the pig." Nevertheless, here we go, once more unto the breach,
It goes without saying that cellphones should be silenced,
but it also means they should stay out of sight. I've seen people text
messaging or checking their messages during a show, and the light from
their phone's monitor is extremely annoying and distracting. I also
hear people's phone vibrating a lot during shows. Don't just put them
on vibrate, people - turn them OFF completely. Can't you freaks stop
twiddling around with your cancer-causing wireless toys for just
two hours of your life?
Just because a theatre allows drinks and snacks doesn't mean
you shouldn't try to consume them as silently as possible. Have you
ever noticed that people seem to think that the act of unwrapping a
candy or a coughdrop will be less annoying if they do it painstakingly
slowly? In truth, a slowly unwrapped candy is just as noisy as a
quickly unwrapped one, and makes noise for a lot longer!
Babies don't belong in theatres. They just don't.
(Personally, I don't even think they belong in restaurants. If I ever
open a restaurant, I'm going to have a separate soundproof room way in
the back to keep the breeders isolated.)
It may sound odd to call people out for excessive laughing
during a comedy, but I've been to more than one show where there was a
person, or cluster of persons, seemingly forcing laughter at an
unnatural volume, over and over and over to the point of distraction.
Either the house planted them as shills, or they're good friends of
one of the actors and are trying way too hard to show support. Just be
natural when you see a show, and don't continually try to "stick out"
with your reactions. Curtain call's an exception, of course - that is
your time to go completely berserk and yell "woo!" to your heart's
Don't talk during shows. Seems like a no-brainer, I know. (I
would say "act as if you're in a library," but apparently no one cares
if you're loud in libraries anymore.)
If you're sick, sorry about your luck, but don't come to the
show. I was at a show recently where someone in the front row kept
hacking and wheezing, and I could see the tiny droplets being expelled
by their face each time. Go home!
If you're cranky, angry, or being dragged by a friend to a
show you don't want to see, don't go see it. Watching a play is
not like watching a movie on DVD. Each performance of a play is a
live, one-of-a-kind special event that will never ever happen again
exactly the same way again, and if you don't appreciate it for what it
is, you need to go do something else instead. It's especially
important in a smaller venue to be positive and receptive and take
part in the spirit of things, and not bring others down who are gifted
with greater ability for enthusiasm than you. When I saw the SITI
Company do Under Construction, there were some grumps in the
front row whose body language and sourpuss expressions made it clear
they were hating every minute of being there. (Fortunately, the SITI
folks took special glee in focusing on those Eeyores to talk to during
the audience participation segment, wherein the actors ask blunt and
embarrassing sexual questions to audience members!)
On the other hand, there are things that the theatres themselves can
do to be more considerate of their audiences as well:
Strobe lights suck. Even if you're not an epileptic, strobe
lights can still induce migraines and disorientation and they're just
plain not good for you. Besides, they're really cheesy and
played-out. Let's ditch 'em.
If your show necessitates warnings, put the warnings on ALL
ads, flyers, and notices. I can't tell you how many times I've gotten
to the door of a show and just as I'm about to hand my ticket over, I
notice a sign that says "Warning: contains strobe lights, extremely
loud noises, smoke, harsh language and nudity" in a tiny font. That's
a hell of a thing to drop on someone who's just driven across town to
see the show after seeing an ad that mentioned none of these important
Seats in theatres feel as if they're built for one-armed
children. Paradoxically, the fancier the venue, the worse the seats
tend to be: the Whitney has, hands down, the most hellish seating in
Louisville, yet at the MeX everyone has their own individual chair and
they don't have to share an armrest with someone.
Directors: blocking has a purpose. Study it. Use it. I've
been to shows where only half the audience is getting a watchable
show, and the rest of us are looking at everyone's backs. Even the
most amateur of directors should be able to notice when sight lines
are practically nil, and then take steps to correct it. A good play is
not measured in how much a director puts into it, but by how much an
audience can get out of it.
Don't skimp on refreshments. Even in this economy, it won't
kill you to spring for real Oreos and not some Dollar Tree off-brand.
And don't you dare charge money for them.
Okay, got all that? Now get out there, soldier, and treat your fellow
theatregoer with love, kindness, courtesy and respect.... or I'll
knock you upside the head! Semper Fi. Oo-rah.
Contact the author at email@example.com.
Jeffrey Scott Holland is the Artistic Director for Catclaw
Theatre Company, author of Weird Kentucky on Sterling Press,
and painter whose works have been exhibited worldwide. Visit him on
the web at jshla.com.