Home
Audition Listings Call for Actors Call for Production Teams Emergencies
Show Listings Now Playing Coming Attractions
Peer Reviews Read Reviews Become a Peer Reviewer
Resources Theatre Guide Training Costume and Prop Sales
Submit Your Information Log In Sign Up



Peer Reviews

Riverdance — You Can't Go Home Again

By A.S. Waterman

Entire contents are copyright © 2007 A.S. Waterman. All rights reserved.



The advertisements invite us to re-experience Riverdance. That is difficult. Most of us discovered the Irish music and dance phenomenon while channel-flicking on a Sunday afternoon, suddenly finding ourselves astounded by sights and sounds of incomparable beauty. At the end of the program, the breathtaking Jean Butler beamed with a statuesque charm while a youthful and radiant Michael Flatley seemed amazed by the thunderous applause.

Since that 1998 landmark event, a number of touring productions have made their way across the globe. The one that premiered in Louisville on March 9, 2007, as part of PNC Broadway Across America, might best be described as Riverdance Lite. With a barren stage, cartoony projected graphics and a trebly sound system that was never quite brought into balance, this was not quite the re-experience one might have hoped for. Moreover, the unprofessional on-stage improvisation by fiddle soloist Pat Mangan, throwing in some jazz riffs and even breaking into a few strains of My Old Kentucky Home, spoiled the mystical fascination of Act I, which is normally the far more striking of the two acts. Costumes and choreography for the group dances were bland, with some routines more reminiscent of a troupe of military cadets or a cheerleading squad than the world-famous Irish dance troupe. Unsympathetic lighting did little to ameliorate the situation.

Butler and Flatley would most certainly have challenged this phase of Riverdance's evolution; however, shows must evolve. On Friday evening, leads Melissa Convery and Marty Dowds danced with such an earthy, intense physicality that they made onlookers forget about the production's shortcomings. Very attractive performers with powerful stage presence, the two added a saucy, almost erotic overtone to the dancing that, although the original choreographers might never have envisioned it, was nonetheless magic. The amazing acrobatics of the lithe and graceful Moscow Folk Ballet were likewise phenomenal, receiving a well-deserved standing ovation. Masterful vocals by baritone soloist Mark Hall, in an often overlooked but very important part of the program, added warmth and resonance to the evening.

With such a wondrous creation as Riverdance, it is true that you can't go home again. However, it is still a marvelous journey, and one that loyal audiences will undoubtedly continue to make at every opportunity. It is well worth the effort.

Riverdance
PNC Broadway Across America, at the Kentucky Center for the Performing Arts
March 9-11, 2007
http://www.broadwayacrossamerica.com

----------

Posted Mar. 12, 2007