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Peer Reviews

 

The God of Isaac

By James Sherman
Directed by Juergen K. Tossmann

Reviewed by Keith Waits

Entire contents copyright © 2008, Keith Waits. All rights reserved.

 

Isaac Adams is Jewish, but has been raised by parents who were satisfied to be merely "as Jewish as we needed to be." So as an adult married to a gentile woman, he has begun to question his cultural and religious identity. In the course of James Sherman's play, Isaac's journey of self-discovery will provide some insight and wisdom, but mostly laughs, as the script settles too often for easy, sometimes clichéd, humor, when it should have dug deeper.

Not that there is anything wrong with wisdom mined through levity, but Mr. Sherman never truly achieves the profundity he seeks. There are many interesting moments that could have been the point of departure for a deeper journey. Isaac's story is set in 1977 in Skokie, Illinois, when American Nazis, with the help of the ACLU, fought for the right to march in the predominantly Jewish community; and there are several letters from his old friend/first love, Chaya, that detail her own struggle with identity. Both of these elements seem to offer the opportunity for a richer exploration of the important themes the playwright presents to the audience, yet he seems content to keep skipping along the surface of his subject, which keeps the story moving on a predictable course.

 

Ted Lesley (right) and Olga Maria Cruz portray a conflicted Isaac and wife in Bunbury Theatre's The God of Isaac.

 

This production, directed by Juergen Tossmann, works to take fullest advantage of the clever devices contained in the script's structure. The main character's mother is seated in the audience yet interacts with the action onstage, both commenting and participating in the action; and there are several amusing vignettes that parody famous movie scenes (On the Waterfront, The Grapes of Wrath, The Wizard of Oz) by injecting Yiddish motifs and language into the well-known dialogue. Although the pace dragged a little, the staging was economical and effective.

A smart and confident cast overcomes the material's shortcomings with skill. Much of the play is structured like a monologue, with Isaac speaking directly to the audience, which creates a challenge for the actor playing the role. Ted Lesley rises to the occasion, charming the audience through every step; Betty Zielinski, Katie Doyle and Olga Maria Cruz adroitly portray the women in Isaac's life (mother, girlfriend, and wife); Juergen Tossmann and Bunbury mainstay Matt Orme bring a veteran's practiced eye to their multiple roles.

 

The God of Isaac
March 6 - 22, 2008
Bunbury Theatre
At the Henry Clay
Third & Chestnut
502-585-5306
www.bunburytheatre.org

Posted Mar. 14, 2008